604), wrote that "it is better to dig and plough on festival days than to dance," a sentiment echoed a century later by the theologian and English historian the Venerable Bede (673–735). Prohibitions.Īt the same time, there are also frequent warnings throughout the period against dance, beginning as early as the late sixth century, when the rather austere English monk, St. All of this is clear evidence that throughout the period, dancing continued to be associated with sacred occasions, including the celebration of the Mass, and that laymen as well as clerics took part. Bartholomew in Tauste, Spain, were taught by Rabbi Hacén ben Salomo to perform choral dances around the altar. In 1313, members of the congregation of St. The troubadour Pierre de Corbiac wrote in his Tesaur around the year 1250 that he knew how "to dance the Sanctus and the Agnus and the Cunctipotens," which refers to three prayers chanted during the celebration of the Mass. That the tradition continued throughout the Middle Ages is attested to by a twelfth-century description of girls dancing during the Easter celebrations in London and references to thirteenth-century clerics in Gournay (near Rouen, France) dancing as a part of the feasts of the Innocents and of St. There is ample evidence from as early as the fourth century that dance was a frequent occurrence in church, serving as a component of liturgical services on special occasions, especially Easter and Christmas. Sacred and Symbolic Dance Liturgical Dance.
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